almascarpet

- we export carpet machine made

almascarpet

- we export carpet machine made

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A traditional rug weaver in Isfahan. See special page on Isfahani rugs

The Persian rug is an essential part of Persian art and culture. Thus carpet-weaving is undoubtedly one of the most distinguished manifestations of Persian (Iranian) culture and art, and dates back to the Bronze Age.

The earliest surviving corpus of Persian carpets comes from the Safavid dynasty (1501-1736) in the 16th century. However, painted depictions prove a longer history of production. There is much variety among classical Persian carpets of the 16th and 17th century. Common motifs include scrolling vine networks, arabesques, palmettes, cloud bands, medallions, and overlapping geometric compartments. This is because Islam, the dominant religion in that part of the world, forbids the depiction of humans or animals. Still, some show figures engaged either in the hunt or feasting scenes. The majority of these carpets are wool, but several silk examples produced in Kashan survive.

History

With the passage of time, the materials used in carpets, including wool and cotton, decay. Therefore archaeologists are not able to make any particularly useful discoveries during archaeological excavations, save for special circumstances.

What has remained from early times as evidence of carpet-weaving is nothing more than a few pieces of worn-out rugs. And such fragments do not help very much in recognizing the carpet-weaving characteristics of pre-Seljuk period (13th and 14th centuries AD) in Persia.

Among the oldest pieces discovered are those found in Eastern Turkestan, dating back to the third to fifth centuries AD, and also some of the hand-weavings of the Seljuks of Asia Minor on exhibit in Alaأکآ£أ‚آ¢أƒآ¢أ¢â‚¬إ،أ‚آ¬أƒآ¢أ¢â‚¬إ¾أ‚آ¢edin Mosque in Konya and Ashrafoghlu Mosque in Beyshehir, Turkey. These pieces attracted the attention of researchers earlier this century, and now they are kept in the Museum of Turkish and Islamic Art in Istanbul and the Mowlana Museum in Konya.

In a unique archaeological excavation in 1949 however, the exceptional Pazyryk carpet was discovered among the ices of Pazyryk Valley, in Altai Mountains in Siberia. It was discovered in the grave of a Scythian prince by a group of Russian archaeologists under the supervision of Sergei Ivanovich Rudenko. Radiocarbon testing revealed that Pazyryk carpet was woven in the 5th century BC. This carpet is 1.83أکآ·أ‚آ£أƒآ¢أ¢â€ڑآ¬أ¢â‚¬آ‌2 meters and has 36 symmetrical knots per cmأکآ·أ‚آ¢أکآ¢أ‚آ². The advanced weaving technique used in the Pazyryk carpet indicates a long history of evolution and experience in this art. Most experts believe that the Pazyryk carpet is a late achievement of at least one thousand years of technique evolution and history.

According to this theory the art of carpet-weaving in Persia (Iran) is at least 3500 years old.

The Persian rug today

Although carpet production has mostly become mechanized today, the traditional hand woven rugs are still widely found, and usually have higher prices than the machine woven counterparts.

Many fine pieces of the Persian carpet are to be found in The Carpet Museum of Iran in Tehran.

Anatolian & Persian Rugs

It is also important to differentiate between Anatolian (Turkish) carpets and Persian Carpets. Persian carpets are single tied wheras Turkish / Anatolian carpets are double tied. This means that for every 'vertical strand' of thread in a carpet, an Anatolian carpet has two knots as opposed to the one knot in a Persian carpet. Ultimately, this process of 'double knotting' in traditional Anatolian carpets results in a more choppy and block like image in the finished product as each 'vertical strand' takes more space on the loom. On the other hand, Persian carpet weavers traditionally single knot their carpets: This results in a much finer image on the carpet in the end as only the minimum amount of space is given for each 'vertical strand'.

It is this simple tradition of single knotting that has built the reputation of the Persian carpet as an object of luxury and desire throughout the globe to what it is today.

Traditional Centers of carpet production in Iran (Persia)

 

A rug depicting the famous mosque of Isfahan.

The major classical centers of carpet production in Persia were in Tabriz (1500-1550), Kashan (1525-1650), Herat (1525-1650), and Kerman (1600-1650).

The majority of carpets from Tabriz have a central medallion and quartered corner medallions superimposed over a field of scrolling vine ornament, sometimes punctuated with mounted hunters, single animals, or animal combat scenes. Perhaps the most well-known of the Tabriz works are the twin Ardabil carpets most likely made for the shrine at Ardabil (today in the collections of the Victoria and Albert Museum in London and the Los Angeles County Museum).

Kashan is known for its silk carpet production. Most famously, for the three silk hunting carpet masterpieces depicting mounted hunters and animal prey (currently in the collections of the Vienna Museum of Applied Arts (aka the MAK), the Museum of Fine Arts, Boston, and the Stockholm Museum). The Kashan rugs are among the most valuable in existence. One carpet, for example, is known to have been sold in Germany for $20,000 in 1969.

The Herat carpets, or ones of similar design created in Lahore and Agra, India, are the most numerous in Western collections. They are characterized by a red field with scrolling vine ornament and palmettes with dark green or blue borders.

The seven classes of Kerman carpet were defined by May Beattie. She identified their unique structure and named it the "vase technique." Carpet types in this group include garden carpets (ornamented with formal gardens and water channels) and the ogival lattice carpets. A fine and well-known example of the later was purchased by the Victoria and Albert Museum under the guidance of William Morris. The influence of Persian carpets is readily apparent in his carpet designs.

Carpet dealers have developed a classification for Persian carpets based on design, type of fabric, and weaving technique. The categories are named for cities and areas associated with each design:

  1. Maku
  2. Marand
  3. Tabriz
  4. Ahar
  5. Heris
  6. Meshkin Shahr
  7. Ardabil
  8. Saraband
  9. Sarab
  10. Mahabad
  11. Afshar
  12. Zanjar
  13. Bidjar
  14. Sanandaj
  15. Saraband
  16. Kermanshah
  17. Hariz
  18. Qazvin
  19. Hamedan
  20. Malayer
  21. Saroogh
  22. Farahan
  23. Qom
  24. Tehran
  25. Brujerd
  26. Arak
  27. Moshk Abad
  28. Mahalat
  29. Joshghan
  30. Kashan
  31. Semnan
  32. Shahre Kord
  33. Isfahan
  34. Ardestan
  35. Naeen
  36. Shahr Reza
  37. Mamasani
  38. Abadeh
  39. Yazd
  40. Shiraz
  41. Rafsanjan
  42. Kerman
  43. Mahan
  44. Ravar
  45. Gorgan
  46. Gonbad Ghaboos
  47. Nishaboor
  48. Torghabeh
  49. Mashad
  50. Kashmar
  51. Gonabad
  52. Ferdos
  53. Ghayen
  54. Dorokhsh
  55. Birjand
  56. Mud
  57. Zabol

Source:http://www.almascarpet.com

Animal Carpet, (Details) Anatolia, 15th century. Design shows a dragon and phoenix fighting; discovered in central Italy, Berlin, Museum fur Islamische Kunst.

 

In the West, Persian carpets are perhaps the best known Islamic art form, highly valued in the West since they were first introduced by Italian merchants in the 14th century, they were sometimes used to wrap relics in church treasuries. The exact origin of carpet-weaving is unknown, carpet fragments dating back to the 5th century have been found in Central Asia. Westerners nomads produced textiles that were in daily use, such as: clothing, bags and in decorating the home. However, these textiles had a fairly short life-span and very few pieces have survived from the per-modern period. The fact that they were nomadic likely helped spread the practice. Persian manuscripts from the time of the Sassanid ruler Khusrau I illustrate carpet-weaving. As the Islamic world expanded, the art became common not only in Central Asia and Iran, but also in Asia Minor, the Caucasus, northern India, and Islamic Spain.

 

 

In 1949, a Russian archaeological on an expedition to the Altai mountains in southern Siberia produced a royal burial mound that contained a preserved carpet in frozen chamber. Known as the Pazyryk carpet, it was used as a saddle cover for a horse interred in the burial mound. Beautifully designed, the rug dates from the 4th or 5th century B.C. and is the earliest-known surviving example of a hand-knotted carpet dating back to the Sassanian & early Islamic periods. Pazyryk carpet discovered together with a mummified horse, a four-wheeled cart, and other household articles. Made of very fine thread, it contains 36,000 Gordes "double knot" per 10 square centimeters, showing a mastery of craftsmanship unequalled in later times. Otherwise, any knowledge of carpets before the late 15th century is largely based on literary sources. Another splendid carpet mentioned in the source was the "Spring of Khusrau," a huge carpet, about 27 square meters (290 square feet), which covered the floor of the Sassanian palace at Ctesiphon when the Arabs conquered it in the year 637.

 

Isolated carpet fragments of varying size and dating before the 12th century have been found in such extremely dry locations as the rubbish heaps of Old Cairo, but the oldest surviving group of carpets dates from the first half of the 14th century. They are known as UKonya" carpets because some 20 examples were discovered in 1903 in the Ala ai-Din Mosque at Konya in central Anatolia, where they had been hidden under successive layers of carpets laid on the floor of the prayer hall. These carpets are coarse, and knotted with symmetrical knots in a limited range of strong colors, such as medium and dark red, medium and dark blue, yellow, brown, and ivory. Scholars had initially attributed them to the patronage of the Seljuk sultans, who ruled Konya in the 12th and 13th centuries, but as some of the motifs used on the carpets derive from Chinese silks dating to the Yuan dynasty (1279-1368). the group is now assigned an early 14th-century date.

Carpets were principally used in the Islamic world to cover the floors of mosques and houses, also occasionally used as wall decorations. They were usually made from sheep wool, goat or camel hair, or in later times, cotton and silk. Persian and Turkish carpets made up the bulk of Islamic carpets. The first half of the 16th century is considered the "Golden Age" of Persian carpets, when large carpets with rich colors and complex designs were produced out of factories in cities such as Isfahan.

"Polonaise" carpet. Kashan, Iran, 1601, Residenz Munchen, East Asia Collection.

THE TWO MOST TYPICAL TYPES OF KNOTS used in Oriental carpets are called Turkish (sometimes called a Ghiordes knot), and Persian (sometimes called a Senneh knot). These terms generally have nothing to do with a carpet's ethnic or geographic origin.

Turkish Knot: the supplementary weft yarn passes over the two warp yarns, and emerges to form the pile coming between them. The Turkish knot is also sometimes called a Ghiordes' knot; it has a symmetrical structure.

FIELD PATTERNS AND BORDER PATTERNS in all handmade Oriental pile carpets rely upon repeated sequences of knots. It is primarily in the choices of color, and in the repetition of selected designs (represented by specified sequences of knots that traditional border patter

ns and field patterns are achieved.

Persian Knot: the supplementary weft yarn passes behind one warp yarn, and the two ends emerge on either side of a warp yarn. The Persian knot is sometimes called a Senneh knot; it has an asymmetrical structure.

Garden carpet, northwestern Persia, 18th century, Berlin Museum fur Islamische Kunst

 

Ctesiphon The large round city , situated on the left bank of the Tigris, across the river from the Hellenistic city of Seleucia, has been identified as the great Parthian and Sassanian capital city of Tisfun, known to the Romans as Ctesiphon , the Al-Madain (the cities), of Arabic sources. Situated about 35 km south of the later city of Baghdad, in present-day Iraq, Ctesiphon was the first Sassanian foundation in this urban zone, named Veh-Ardashir, the beautiful (good) city of Ardashir, after its founder, the Sassanian king Ardashir I (AD 224-241).

 

Sassanian , or Sasanid, last dynasty of native rulers to reign in Persia before the Arab conquest. The period of their dominion extended from c. AD 224, when the Parthians were overthrown and the capital, Ctesiphon , was taken, until c.640, when the country fell under the power of the Arabs. The last Sassanian king died a fugitive in 651, but he had been forced to yield Ctesiphon to the Arabs in 636. Under the Sassanid, who revived Achaemenid tradition, Zoroastrianism was reestablished as the state religion. The name of the dynasty was derived from Sassan, an ancestor of the founder of the dynasty, Ardashir I , who took and ruled Ctesiphon (224-40).

 

Source:

http://www.almascarpet.com

  • Quality carpet cushion can dramatically extend the life of a carpet by acting as a shock absorber whenever some walks on the carpet. The cushion absorbs most of the downward impact caused by walking on the carpet and then springs the carpet's pile back up after each step.
  • Carpet cushion adds comfort to any carpet and makes a carpet feel richer and more luxurious.
  • A separate cushion installed underneath a carpet improves a carpetأƒآ¢أ¢â€ڑآ¬أ¢â€‍آ¢s acoustical and insulating properties making the room warmer and quieter.
  • Cushion can also reduce fatigue caused by standing on a hard surface for extending periods of time.
  • A separate cushion below carpet helps hide uneveness in a subfloor.

Mohawk Carpet Cushion is offered in a variety of thicknesses (1/4" - 9/16"), densities and in several different bonded and synthetic qualities. See your local Mohawk retailer for samples and which cushion is best for your specific needs.

  • Premium white bonded carpet cushion
  • Specially selected 100% virgin urethane
  • BHT Free
  • Allergy Free
  • CRI Green label for air quality assurance
  • Fatigue free comfort-plush feel underfoot
  • Revolutionary new manufacturing process - strong bond technology
  • Superior tensile strength and exceptional quality and consistency
  • Residential use - all traffic areas
  • Life of Home warranty
  • Environmentally friendly

** Heavenly features UTLRA FRESH DM50 FILM - inhibits odor-causing mold, mildew and fungus

 

  • Two-sided Moisture and Spill Guard
  • Kid and pet proof!
  • Luxurious comfort underfoot.
  • Value for the life of your home!
  • Easy clean up! Dust and spill can not penetrate.
  • Hypo-allergenic
  • Maximum insulation for temperature and sound.
  • Warranted for the life of your home. Even transferable to the next owner.*
  • Versatile to match any carpet style-for stairs and hallways too!
  • Engineered for cushion-not made from recycled materials.
  • Mold and mildew resistant!
+ نوشته شده در  85/03/07ساعت 22:43  توسط علیرضا  |  نظر بدهید

all about carpet

Once you have decided upon the carpet you like you are well advised to have it professionally fitted. Before this you should obtain an estimate of the cost.

Estimates

An estimate is more accurate when your carpet supplier visits the location to measure the room and to assess the situation and the time it would take to lay the carpet.

The National Institute of Carpet and Floorlayers train all their members to exacting standards the highest of which is "Master Fitter".

When you receive an estimate ensure that it includes:

  • Advice on appropriate underlay - including pads on stair treads and risers.
  • Extra work such as clearing the room, easing the doors, type of fixing accessories, door plates and stair nosings if required.
  • Removing carpet and underlay waste.

Check which method of fixing is recommended by your supplier. Options include, tackless fitting, tacked down, rings and pins and stick down.

Remember, the total cost of any job is what matters. Offers such as free underlay, free fitting and other inducements are sometimes negated by the cost per unit of the carpet.

Some carpets are wasteful if fitted in some rooms due to the fixed widths that carpets are usually made. However, there are carpet ranges that are produced in several widths, which reduces the waste carpet, and at least one manufacturer, Ryalux Carpets, will supply exactly the width required with no waste, up to 5 metres wide.

Fitting

When your carpet has been fitted inspect it with the fitter and check for any loose edges and that it is stretched sufficiently.

For the most intricate fitting jobs, especially matching design repeats and complicated border work, insist upon a fully qualified fitter

Fibres & Yarns
  1. All carpet results from the conversion of raw fibre. With a few exceptions, this fibre is spun into yarn and this yarn is then made into carpet through one of three methods - weaving, tufting and bonding. More about yarn spinning.

    All carpet fibres have something special to offer, whether it is warmth, cleanability, hard wear, fire retardance or even price. Your carpet will perform longer and look better depending upon which fibre you select and how much is packed into the carpet.

    Fibres are sometimes blended together to give the optimum performance at the best possible price.

    There are two sources of carpet fibre - Natural and Man-Made.

  2.  
  3. Natural Fibres:

    1. Wool
    2. Silk
    3. Jute
    4. Coir
    5. Flax

    Man-made fibres:

    1. Nylon
    2. Polyester
    3. Polypropylene
    4. Acrylic
    5. Viscose
      (a vegetable based fibre)

    Natural Fibres - Wool

    Wool
    The oldest and most popular of the natural fibres. Exceptionally suited to carpets because it combines hard wear with lasting good looks. Wool does not support combustion and under normal conditions does not conduct static electricity.

    For a selection of British Wool Carpets.

    Discover more about British Wool.

    Silk

    Little used except in fine quality hand made rugs.

    Jute
    Used mainly in backing materials but occasionally in surface fibres for flat woven rugs.

    Coir
    Coconut husks contain a strong and flexible fibre. The husks are harvested and soaked for many months before being beaten, washed and dried. The pale yellow fibres are then spun into yarn which is finally woven into either flat weave carpeting or cut pile rugs and mats.
    For coir products call Tasibel. Tel: 020 7454 1230

    Flax
    Used occasionally in loop pile and flat weave rugs and carpets

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